Equipment

Cameras

• Arri Mini-LF
• Arri Amira
• Sony PWX-FS7 (S35mm 16:9, CMOS-Sensor, 3840x2160 , S-Log 3, PL-Mount / Sony E-Mount)
• Sony PMW F3 (S35mm 16:9, CMOS, 1920x1080, S-Log 2, PL-Mount)
• Arriflex D-21 RAW/HD (S35mm 4:3 CMOS 2880x2160 Pixel)
• Arriflex SRIII Normal/Super16

Lenses

• Zeiss Compact Prime.3 eXtended Data (18 – 25 – 35 – 50 – 85 – 135mm)
• Sony CineALta 4K Six Lens Kit (20 – 25 – 35 – 50 – 85 – 135mm)
• Zeiss HS-Optiken 16mm (9,5 – 12 – 16 – 25 – 50mm)

Accessories

• ARRI MB-20 matte box
• Astro WM-3014 monitor
• External recorder Sound Devices Pix-E7
• Remote focus
• DIT Cart / flanders displays

Tripods / Dolly Grip

• Sachtler Studio 9+9 fluid head
• Super Panther 3 Dolly / precision leveling tracks

Postproduction

• Editing / Grading Workstation Avid Media Composer / Davinci Resolve, 12 Compositing Workstations with Foundry Nuke / Mari / Katana / Autodesk Maya / Syntheyes, Renderfarm with 25 Nodes, Fileserver,Grading-Suite Filmlight Baselight Two, Laserscanner FARO Focus S 150

Lighting

Daylight

• 1 x 2,5(/4) KW HMI - ARRI Max
• 2 x 2,5 KW HMI - Fresnel
• 2 x 1,2 KW HMI - Fresnel
• 2 x 575 W HMI - Fresnel
• 2 x 575 W HMI - OpenFace
• 2 x 400 W HMI - OpenFace
• 2 x 270 W HMI - Fresnel
• 4 x 125 W HMI - Fresnel
• 1 x 200 W HMI - OpenFace
• 3 x Spiritlight Softlites
• 2 x KinoFlo 4bank-4feet (D+T)

Tungsten

• 1 x 2,5(/4) KW HMI - ARRI Max
• 4 x 2 KW - Fresnel
• 1 x Barger 3-Lite, 3x800W
• 4 x 1KW - Fresnel
• 4 x 650 W - Fresnel
• 2x Arrilite - Koffer mit 3 x 800 W - OpenFace
• 2 x Dedolight - Set

LED

• Aladdin Bi-Flex 1