Equipment
Equipment
Cameras
- Arri Mini-LF
- Arri Amira
- Sony PWX-FS7 (S35mm 16:9, CMOS-Sensor, 3840x2160 , S-Log 3, PL-Mount / Sony E-Mount)
- Sony PMW F3 (S35mm 16:9, CMOS, 1920x1080, S-Log 2, PL-Mount)
- Arriflex D-21 RAW/HD (S35mm 4:3 CMOS 2880x2160 Pixel)
- Arriflex SRIII Normal/Super16
Lenses
- Zeiss Compact Prime.3 eXtended Data (18 25 35 50 85 135mm)
- Sony CineALta 4K Six Lens Kit (20 25 35 50 85 135mm)
- Zeiss HS-Optiken 16mm (9,5 12 16 25 50mm)
Accessories
- ARRI MB-20 matte box
- Astro WM-3014 monitor
- External recorder Sound Devices Pix-E7
- Remote focus
- DIT Cart / flanders displays
Tripods / Dolly Grip
- Sachtler Studio 9+9 fluid head
- Super Panther 3 Dolly / precision leveling tracks
Postproduction
- Editing / Grading Workstation Avid Media Composer / Davinci Resolve, 12 Compositing Workstations with Foundry Nuke / Mari / Katana / Autodesk Maya / Syntheyes, Renderfarm with 25 Nodes, Fileserver,Grading-Suite Filmlight Baselight Two, Laserscanner FARO Focus S 150
Lighting
Daylight
- 1 x 2,5(/4) KW HMI - ARRI Max
- 2 x 2,5 KW HMI - Fresnel
- 2 x 1,2 KW HMI - Fresnel
- 2 x 575 W HMI - Fresnel
- 2 x 575 W HMI - OpenFace
- 2 x 400 W HMI - OpenFace
- 2 x 270 W HMI - Fresnel
- 4 x 125 W HMI - Fresnel
- 1 x 200 W HMI - OpenFace
- 3 x Spiritlight Softlites
- 2 x KinoFlo 4bank-4feet (D+T)
Tungsten
- 1 x 2,5(/4) KW HMI - ARRI Max
- 4 x 2 KW - Fresnel
- 1 x Barger 3-Lite, 3x800W
- 4 x 1KW - Fresnel
- 4 x 650 W - Fresnel
- 2x Arrilite - Koffer mit 3 x 800 W - OpenFace
- 2 x Dedolight - Set
LED
