221190a Visual Effects
| Zuletzt geändert: | 19.10.2021 / Schmid |
| EDV-Nr: | 221190a |
| Studiengänge: | |
| Dozent: | |
| Sprache: | Englisch |
| Art: | Ü |
| Umfang: | 4 SWS |
| ECTS-Punkte: | 4 |
| Workload: |
Vorlesung: 15 Termine zu je 4 SWS = 60 Stunden Referat: 15 Stunden Praktische Arbeit : 50 Stunden Vorbereitung der Präsentation der Hausarbeit zu 10 SWS = 10 Stunden Gesamter Zeitaufwand (Workload) = 120 Zeitstunden |
| Inhaltliche Verbindung zu anderen Lehrveranstaltungen im Modul: | keine anderen LV im Modul |
| Prüfungsform: | |
| Bemerkung zur Veranstaltung: | Teilnehmerbeschränkung (ausschließlich für die Teilnehmer der Stupro VFX) |
| Beschreibung: |
1 Introduction, History of Visual Effects 1 2 History of Visual Effects 2 3 History of Visual Effects 3 Introduction to research project 4 History of Visual Effects 4 5 History of Visual Effects 5 6 History of Visual Effects 6 7 group presentations on research topic, concept and methods 7 excursion 8 VFX Production Part 1, 9 VFX Production Part 2 10 VFX Production Part 3 11 VFX Production Part 4 12 group coaching for reasearch project 12 group coaching for reasearch project 13 group coaching for reasearch project 14 presentation of research project, results, and discussion 15 final handout of written article |
| English Title: | Visual Effects |
| English Abstract: |
The seminar consists of three parts: Introduction in to the history of visual effects, Visual Effects Production -overview on current workflows, techniques and trends seminar research project |
| Literatur: |
Okun, Jeffery & Zwerman, Susan; The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures; 2010, Focal Press, USA
Brinkmann, Ron; The Art and Science of Digital Compositing; 1999; Academic Press, USA Wright, Steve; Digital Compositing for Film and Video; 2002 ; Elsevier, USA Ganbar, Ron; Nuke 101: Professional Compositing and Visual Effects, 2nd edition 2014Kelly,Dough; Digital Compositing in Depth; 2000; The Coriolis Group, USA Begleiter,Marcie; Storyboards; 2003; Zweitausendeins, Frankfurt/M Zeitschriften: Cinefex und Digital Production Richard Rickitt Special Effects: The History and the Technique Watson-Guptill Publications Oktober 2000 George Lucas (Vorwort), Mark Cotta Vaz, Craig Barron, The Invisible Art: The Legends of Movie Matte Painting von Chronicle Books, September 2004 Piers Bizony; Digital Domain: The Leading Edge of Visual Effects Billboard Books, Dezember 2001 Flückiger, Barbara; Visual Effects, Filmbilder aus dem Computer; Schüren 2008Weitere Literatur finden Sie in der HdM-Bibliothek. |
| Internet: | ressources will be provided in class according to research projects |